Animated series
1992 - 1995
Batman: The Animated Series is animated television series adaptation of the comic book series featuring the DC Comics superhero.
The visual style of the series is based on the artwork of producer Bruce Timm. The original episodes, produced by Bruce Timm and Eric Radomski, were first aired on the Fox Network from 1992 to 1995. When the first season of the series aired on weekday afternoons, it lacked an on-screen title in the opening credits and was known only as Batman (and would be referred to as such in episode recaps that summarized what had happened "previously on Batman..."), although it was retroactively officially titled "Batman: The Animated Series.
When its timeslot was moved to weekends for the second season, it was named "The Adventures of Batman & Robin," a title originally used in the 1969-70 animated series created by Filmation, to emphasize the crime fighting partnership of the characters and allow younger audiences to become more familiar with Robin, who would shortly afterwards feature in the 1995 film Batman Forever. The series won two Emmy Awards.[
The original series was partially inspired by Tim Burton's 1989 blockbuster Batman film and the acclaimed Superman cartoons produced by Fleischer Studios in the 1940s. Timm and Radomski designed the series by closely emulating the Tim Burton films' "otherworldy timelessness," incorporating period features such as black-and-white title cards, police blimps, 40s influenced fashion, 40s influenced car styling and a "vintage" color scheme in a largely film noir-influenced style.
The series initially took as its theme a variation of music written by Danny Elfman for Burton's Batman film; later episodes of the series used a new theme with a similar style by Shirley Walker. The score of the series was influenced by Elfman and Walker's work on Batman and Batman Returns and the music of 40s film noir. The art style of the original animated series was also partially a reaction against the realism seen in cartoons like X-Men; the second series in some ways was a further extension of that rejection of realism.
Batman as he appears throughout the animated series. Like X-Men, the program was much more adult oriented than previous typical superhero cartoon series. In their constant quest to make the show darker, the producers pushed the boundaries of action cartoons: it was the first such cartoon in years to depict firearms being fired instead of laser guns (only one person has ever been actually depicted as shot; Commissioner Gordon in episode 49 was seen to have a gunshot wound after the firefight was finished), Batman actually punching and kicking the antagonists, as well as the existence of blood (such as Batman having a trail of blood from his mouth); in addition, many of the series' backgrounds were painted on black paper.
The distinctive visual combination of film noir imagery and Art Deco designs with a very dark color scheme was called "Dark Deco" by the producers. First-time producers Timm and Radomski reportedly encountered resistance from studio executives, but the success of Burton's first film allowed the embryonic series to survive long enough to produce a pilot episode, "On Leather Wings", which according to Timm "got a lot of people off our backs."
The Emmy Award-winning series quickly received wide acclaim for its distinctive animation and mature writing, and it instantly became a hit. Fans of a wide age range praised the show's sophisticated, cinematic tone and psychological stories. Voice-actor Kevin Conroy used two distinct voices to portray Bruce Wayne and Batman, as Michael Keaton had done in the films.
This series also featured a supporting cast that included major actors performing the voices of the various classic villains, most notably Mark Hamill, who defined a whole new career for himself in animation with his cheerfully deranged portrayal of the Joker.
The voice recording sessions were recorded with the actors together in a studio, like a radio play, unlike most animated films, in which the principal voice actors record separately and never meet. Interviews have noted that having the cast record together was a benefit to the show as a whole, as the actors were able to react to one another, rather than simply reading the words.
Mr. Freeze, who was most famously redesigned for the series. Key to the series' artistic success is that it managed to redefine classic characters, paying homage to their previous portrayals while giving them new dramatic force. The characterization of villains such as Two-Face and the Mad Hatter and heroes like Robin — who had not appeared in the Burton film series — demonstrate this.
The Penguin is based upon his appearance in Batman Returns, which was being released at the same time as the series. The series also gave new life to nearly forgotten characters like the Clock King. An often noted example of dramatic change is Mr. Freeze; Batman: TAS turned him from a clichéd mad scientist with a gimmick for cold, to a tragic figure whose frigid exterior hides a doomed love and a vindictive fury.
Part of the tragedy is mimicked later in the plot of Joel Schumacher's live action movie Batman and Robin, although much of the drama was lost with the resurrection of the pun-quipping mad scientist image. The most famous of the series' innovations is the Joker's hapless assistant/love interest, Harley Quinn, who became so popular that DC Comics later added her to the mainstream Batman comics continuity.
This series became a cornerstone of the Warner Bros.' animation department, which became one of the top producers of television animation. For years, Warner Bros. Animation had been known only for doing Looney Tunes and their offshoots such as Tiny Toon Adventures. This was Warner's first attempt at doing a serious animated cartoon and it ended up working better than they thought. It also sparked a large franchise of similar TV adaptations of DC Comics characters.
Despite the marketing decision by Warner Bros. of making the series a Saturday morning cartoon, Producer Bruce Timm and the crew were not interested in making a kid's show and they have often stated that this series and others in the DCAU, such as The New Batman Adventures, Batman Beyond and Justice League, are not childrens' programs but merely include children in their audience.
Adam West provided the voice for The Gray Ghost. New villains like Red Claw, the ninja Kyodai Ken, Tygrus, and the Sewer King were invented for the series, but to little acclaim. Far more successful was the introduction of Harley Quinn, the Joker's sidekick, and Officer/Detective Renee Montoya, and the sociopathic vigilante Lock-Up, all of whom became characters in the comics.
In addition, Mr. Freeze was revised to emulate the series' tragic story. Clayface was reinvented, revised to be much more similar to the 1960s shape-changing version of the character. Poison Ivy's regular appearances on the show helped lead to more frequent appearances in the comics.
Phantasm and general storyline for the movie Mask Of The Phantasm were modified from the Mike Barr-penned story "Batman: Year Two", which ran in Detective Comics #575-578 in the late 1980s; the villain in the comics was named The Reaper. Some characters like Count Vertigo and the Clock King were modified in costume and personality.
All characters received an update in The New Batman Adventures, having costumes, voices, mannerisms, and overall looks modified. The artwork and colors became sharper and somewhat more cartoonish.
One of the most noteworthy changes made is the treatment of Batman's alter ego, Bruce Wayne.
In nearly all other media, including the comics, television shows, and films, Bruce deliberately plays up his image as a vacuous, self-absorbed, and not-too-bright billionaire playboy. In the series, his character is treated more seriously, shown as assertive, intelligent, and actively involved in the management of Wayne Enterprises, without jeopardizing his secret identity.
In the episode "Eternal Youth", for example, he is shown angrily ordering one of his directors to cancel a secret deal with a timber company in the Amazon rainforest ("Shut it down, or you're gone!"). In the episode Night of the Ninja, he revealed to reporter Summer Gleason that he has some martial art training, as the reporter previously researched that he once lived in Japan.
Batman's tools such as the utility belt, grappling hook and Batmobile were redesigned for the series; they have been previously redesigned numerous times over the course of Batman's comic book series as well as for various movie and TV incarnations of Batman. The grapple-launcher, notably, was introduced in the 1989 Batman movie from Tim Burton, and became an important aspect of the animated character. The Batmobile and Batplane are similar to the ones used in the 1989 movie.
Certain episodes have become legendary in some fan circles. The most universally hailed episode is the Emmy-award winning "Heart of Ice", which is known for reinventing the character of Mr. Freeze, changing him from a comedic cold-themed villain to a serious, tragic character with a sympathetic backstory. "Robin's Reckoning" won an Emmy for Most Outstanding Half Hour or Less Program, beating out The Simpsons and is seen as one of the most mature and iconic Robin origin stories.
Sixteen minutes of animated segments in the video game The Adventures of Batman and Robin for the Sega CD are sometimes referred to as a "lost episode" of the series. These segments are intended to be interspersed between gameplay elements of an early-1990s video game and as such, the sound, color and story are not of the same quality of the actual television program. Similar cutscenes appear throughout the video games Batman Vengeance and Batman: Rise of Sin Tzu.
The feature-length animated movie Batman: Mask of the Phantasm (1993), based on the animated series, started production as a direct-to-video release, but was changed to be a theatrical release near the end of production. The film was well-received by fans of the series, but only generated mediocre box office revenue. Some attributed this to limited last-minute marketing, but the series had good video sales (and later DVD sales) and eventually turned a profit.
There was later a direct-to-video movie based on the series: Batman & Mr. Freeze: SubZero which was completed in 1997 as a tie-in to Joel Schumacher's "Batman and Robin" but due to the poor reception of that movie was held back until 1998. This was followed by a second direct-to-video entry, Batman: Mystery of the Batwoman in 2003. Movies based on related series include Batman Beyond: Return of the Joker (2000) based on Batman Beyond. A made-for-TV feature-length episode of the Batman / Superman series, "World's Finest", has been released on video as The Batman / Superman Movie. Collections of episodes from the series are also readily available on video. Recently, four volumes of four-disc DVD collections have been released in America and the UK, the latest collection contains the first series of The New Batman Adventures, and is available in America. The UK currently has the collection of the first and second series' of Batman: The Animated Series on DVD.
(info from Wikipedia)
The visual style of the series is based on the artwork of producer Bruce Timm. The original episodes, produced by Bruce Timm and Eric Radomski, were first aired on the Fox Network from 1992 to 1995. When the first season of the series aired on weekday afternoons, it lacked an on-screen title in the opening credits and was known only as Batman (and would be referred to as such in episode recaps that summarized what had happened "previously on Batman..."), although it was retroactively officially titled "Batman: The Animated Series.
When its timeslot was moved to weekends for the second season, it was named "The Adventures of Batman & Robin," a title originally used in the 1969-70 animated series created by Filmation, to emphasize the crime fighting partnership of the characters and allow younger audiences to become more familiar with Robin, who would shortly afterwards feature in the 1995 film Batman Forever. The series won two Emmy Awards.[
The original series was partially inspired by Tim Burton's 1989 blockbuster Batman film and the acclaimed Superman cartoons produced by Fleischer Studios in the 1940s. Timm and Radomski designed the series by closely emulating the Tim Burton films' "otherworldy timelessness," incorporating period features such as black-and-white title cards, police blimps, 40s influenced fashion, 40s influenced car styling and a "vintage" color scheme in a largely film noir-influenced style.
The series initially took as its theme a variation of music written by Danny Elfman for Burton's Batman film; later episodes of the series used a new theme with a similar style by Shirley Walker. The score of the series was influenced by Elfman and Walker's work on Batman and Batman Returns and the music of 40s film noir. The art style of the original animated series was also partially a reaction against the realism seen in cartoons like X-Men; the second series in some ways was a further extension of that rejection of realism.
Batman as he appears throughout the animated series. Like X-Men, the program was much more adult oriented than previous typical superhero cartoon series. In their constant quest to make the show darker, the producers pushed the boundaries of action cartoons: it was the first such cartoon in years to depict firearms being fired instead of laser guns (only one person has ever been actually depicted as shot; Commissioner Gordon in episode 49 was seen to have a gunshot wound after the firefight was finished), Batman actually punching and kicking the antagonists, as well as the existence of blood (such as Batman having a trail of blood from his mouth); in addition, many of the series' backgrounds were painted on black paper.
The distinctive visual combination of film noir imagery and Art Deco designs with a very dark color scheme was called "Dark Deco" by the producers. First-time producers Timm and Radomski reportedly encountered resistance from studio executives, but the success of Burton's first film allowed the embryonic series to survive long enough to produce a pilot episode, "On Leather Wings", which according to Timm "got a lot of people off our backs."
The Emmy Award-winning series quickly received wide acclaim for its distinctive animation and mature writing, and it instantly became a hit. Fans of a wide age range praised the show's sophisticated, cinematic tone and psychological stories. Voice-actor Kevin Conroy used two distinct voices to portray Bruce Wayne and Batman, as Michael Keaton had done in the films.
This series also featured a supporting cast that included major actors performing the voices of the various classic villains, most notably Mark Hamill, who defined a whole new career for himself in animation with his cheerfully deranged portrayal of the Joker.
The voice recording sessions were recorded with the actors together in a studio, like a radio play, unlike most animated films, in which the principal voice actors record separately and never meet. Interviews have noted that having the cast record together was a benefit to the show as a whole, as the actors were able to react to one another, rather than simply reading the words.
Mr. Freeze, who was most famously redesigned for the series. Key to the series' artistic success is that it managed to redefine classic characters, paying homage to their previous portrayals while giving them new dramatic force. The characterization of villains such as Two-Face and the Mad Hatter and heroes like Robin — who had not appeared in the Burton film series — demonstrate this.
The Penguin is based upon his appearance in Batman Returns, which was being released at the same time as the series. The series also gave new life to nearly forgotten characters like the Clock King. An often noted example of dramatic change is Mr. Freeze; Batman: TAS turned him from a clichéd mad scientist with a gimmick for cold, to a tragic figure whose frigid exterior hides a doomed love and a vindictive fury.
Part of the tragedy is mimicked later in the plot of Joel Schumacher's live action movie Batman and Robin, although much of the drama was lost with the resurrection of the pun-quipping mad scientist image. The most famous of the series' innovations is the Joker's hapless assistant/love interest, Harley Quinn, who became so popular that DC Comics later added her to the mainstream Batman comics continuity.
This series became a cornerstone of the Warner Bros.' animation department, which became one of the top producers of television animation. For years, Warner Bros. Animation had been known only for doing Looney Tunes and their offshoots such as Tiny Toon Adventures. This was Warner's first attempt at doing a serious animated cartoon and it ended up working better than they thought. It also sparked a large franchise of similar TV adaptations of DC Comics characters.
Despite the marketing decision by Warner Bros. of making the series a Saturday morning cartoon, Producer Bruce Timm and the crew were not interested in making a kid's show and they have often stated that this series and others in the DCAU, such as The New Batman Adventures, Batman Beyond and Justice League, are not childrens' programs but merely include children in their audience.
Adam West provided the voice for The Gray Ghost. New villains like Red Claw, the ninja Kyodai Ken, Tygrus, and the Sewer King were invented for the series, but to little acclaim. Far more successful was the introduction of Harley Quinn, the Joker's sidekick, and Officer/Detective Renee Montoya, and the sociopathic vigilante Lock-Up, all of whom became characters in the comics.
In addition, Mr. Freeze was revised to emulate the series' tragic story. Clayface was reinvented, revised to be much more similar to the 1960s shape-changing version of the character. Poison Ivy's regular appearances on the show helped lead to more frequent appearances in the comics.
Phantasm and general storyline for the movie Mask Of The Phantasm were modified from the Mike Barr-penned story "Batman: Year Two", which ran in Detective Comics #575-578 in the late 1980s; the villain in the comics was named The Reaper. Some characters like Count Vertigo and the Clock King were modified in costume and personality.
All characters received an update in The New Batman Adventures, having costumes, voices, mannerisms, and overall looks modified. The artwork and colors became sharper and somewhat more cartoonish.
One of the most noteworthy changes made is the treatment of Batman's alter ego, Bruce Wayne.
In nearly all other media, including the comics, television shows, and films, Bruce deliberately plays up his image as a vacuous, self-absorbed, and not-too-bright billionaire playboy. In the series, his character is treated more seriously, shown as assertive, intelligent, and actively involved in the management of Wayne Enterprises, without jeopardizing his secret identity.
In the episode "Eternal Youth", for example, he is shown angrily ordering one of his directors to cancel a secret deal with a timber company in the Amazon rainforest ("Shut it down, or you're gone!"). In the episode Night of the Ninja, he revealed to reporter Summer Gleason that he has some martial art training, as the reporter previously researched that he once lived in Japan.
Batman's tools such as the utility belt, grappling hook and Batmobile were redesigned for the series; they have been previously redesigned numerous times over the course of Batman's comic book series as well as for various movie and TV incarnations of Batman. The grapple-launcher, notably, was introduced in the 1989 Batman movie from Tim Burton, and became an important aspect of the animated character. The Batmobile and Batplane are similar to the ones used in the 1989 movie.
Certain episodes have become legendary in some fan circles. The most universally hailed episode is the Emmy-award winning "Heart of Ice", which is known for reinventing the character of Mr. Freeze, changing him from a comedic cold-themed villain to a serious, tragic character with a sympathetic backstory. "Robin's Reckoning" won an Emmy for Most Outstanding Half Hour or Less Program, beating out The Simpsons and is seen as one of the most mature and iconic Robin origin stories.
Sixteen minutes of animated segments in the video game The Adventures of Batman and Robin for the Sega CD are sometimes referred to as a "lost episode" of the series. These segments are intended to be interspersed between gameplay elements of an early-1990s video game and as such, the sound, color and story are not of the same quality of the actual television program. Similar cutscenes appear throughout the video games Batman Vengeance and Batman: Rise of Sin Tzu.
The feature-length animated movie Batman: Mask of the Phantasm (1993), based on the animated series, started production as a direct-to-video release, but was changed to be a theatrical release near the end of production. The film was well-received by fans of the series, but only generated mediocre box office revenue. Some attributed this to limited last-minute marketing, but the series had good video sales (and later DVD sales) and eventually turned a profit.
There was later a direct-to-video movie based on the series: Batman & Mr. Freeze: SubZero which was completed in 1997 as a tie-in to Joel Schumacher's "Batman and Robin" but due to the poor reception of that movie was held back until 1998. This was followed by a second direct-to-video entry, Batman: Mystery of the Batwoman in 2003. Movies based on related series include Batman Beyond: Return of the Joker (2000) based on Batman Beyond. A made-for-TV feature-length episode of the Batman / Superman series, "World's Finest", has been released on video as The Batman / Superman Movie. Collections of episodes from the series are also readily available on video. Recently, four volumes of four-disc DVD collections have been released in America and the UK, the latest collection contains the first series of The New Batman Adventures, and is available in America. The UK currently has the collection of the first and second series' of Batman: The Animated Series on DVD.
(info from Wikipedia)
